A tale of seaside resorts and crazy golf, It's a reminder that life has a habit of letting you down.
Even after you die.
GETTING
OUT
by Stephen Walker
Abigail
Meadows.
Born
March 9th 2000. Died September 10th 2013.
A
beloved daughter.
Rest
In Peace.
A
hand bursts through the soil.
Another
hand bursts through the soil.
And
Abigail Meadows is free of the grave.
*
I'm
Abigail Meadows and I know what I want.
What I
don't know is how to get it.
So I
walk the promenade of what used to be my home town, looking for him.
Is he
here?
It's
the sort of place he might be, hidden in full view, among the milling
throng.
But I
don't see him this night, not amongst all the people ignoring the
illuminations that're the only reason to be here this time of year.
What I
do see is people in a new light. Always letting you down. Never being
what you want them to be. Faceless. Pretenders. Fakes and Phonies.
Never being what they really are.
I see a
man lying dead on the road, having just been hit by a tram, the
town's illuminations reflected in his blood as it trickles from his
mouth and slowly spreads across the tarmac. Welcome to the club,
matey.
But
he's not here - the one I want.
I reach
the start of the pier. A quick glance tells me he's not on it.
I look
across the road, at the amusement park and the roller coaster that
rises above it like an anorexic Godzilla. And, this time of year,
this time of night, the town looks like nothing else but a ghost of
what it claims to be.
*
Early
morning, I find it, the big glasshouse with a café inside whose
seats are for 'patrons' only.
I'm not
interested in that. I'm interested in what's behind it; the square
crazy-golf course that doesn't have any craziness about it.
And
there I spot him, the boy, sat on one of the benches that surround
the golf course so you can sit and watch people having more fun than
you are.
Well,
matey, you might elude all others but not much gets past the dead.
*
I let
my backside hit the bench with a force that can't fail to let any
observer know I'm not a happy bunny.
I'm now
sat beside the boy.
He
looks like he's the same age as me but he doesn't look like I
expected him to. On the other hand, he also looks exactly like I
expected him to.
Whatever
his appearance, he's clearly more interested in the people playing
crazy-golf than he is in me.
So,
lower lip jutted, I watch them too.
I watch
them a moment more.
And
then a moment more.
I watch
them a moment more.
And
then, at last, I say it. 'People! For God's sake! What's up with
them?'
He
doesn't tell me what's up with them.
So I
tell him what's up with them. 'Stood there playing crazy-golf when
there's a billion different tragedies going on in the world around
them.'
'It's
not crazy-golf!' a man with a putter shouts back at me.
'You
what?'
'It's
not crazy-golf! It's miniature golf! Now can you belt up and let
people play?!?'
'Well,
what's the difference?'
'There's
no obstacles! There's no windmills! There's no clown's mouths! Just
holes to knock the balls into!'
'Then
what's the point of that?'
'It's
more grown up!
'Grown
up.' I tut at the boy beside me. 'Grown up. And there's not even a
windmill.'
He
doesn't respond.
So I
lean over a wrought-iron arm rest and look down at the ground
directly beside the bench.
My
frown deepens at what I see.
'I
mean,' I tell him, 'look at that. Look at that that maggoty thing
down there, being carried off by that ant. Just think how it must be
feeling right now. And do they care? Do they eckerslike.'
I shout
at the golfers, 'Get off your arses and save that thing, you bone
idle-.'
None of
them do.
So
I again address the boy sat beside me. I say, 'I know what you're
thinking. You're thinking, if I care that much, why don't I save
it? Well, I don't care that much. Know why? It's because I'm a thing
of twisted evil and an affront to nature. Look at these fingernails,
matey. Look at the dirt beneath them. You know where I got that from?
It wasn't from gardening. Never garden. Two rules in life. Never
garden and never go angling.
'No,'
I say. 'It came from digging myself out. “Digging yourself out of
what?” I hear you cry. Digging myself out of the grave.
'You
see, I used to be “people” too – just like them. Maybe I still
am. I don't know. Do I look like “people” to you? Or do I look
like something else?'
He
doesn't tell me.
I start
to wonder if he can hear me.
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